literature

Metamorphose Teaser

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Literature Text

        I.

        Met-uh-mawr-fohz – verb (used with object):  to change the form or nature of; transform.

        Ta dum.
        Ta dum.
        Ta dum.
        Pulses felt by palpating and pressing hands manifested an arrhythmia. Her breath breached consciousness and eyelids unsealed, irises constricting their pupils as they flitted from white wall to weighted, slate hinges.
        Ta dum.
        Ta dum.
        Dum ta.
        Her blood hastened in reverse systolic motions. She could discern the rhythm, flooding into ventricles from pulmonary arteries and escaping through adjacent atria.
        She sat up.
        Her fingers curled like paper to the flame, clenching the bed sheets. She spasmed; tense on the left, jerking on the right. Her vision came in fuzzy spurts of grey, analogous to an analog signal with interference. Pills, where were her pills?
        Dum dum ta.
        Ta dum.
        Ta dum.
        Arthritically and spastically trembling, the covers were cast off by her hands as she scrambled to yesterday's top and shorts lying on the stainless steel floor by the bed. She eyed the dented denim of the left pocket and knew the pills were there, of course, six in total; three days' worth. Retrieving them she twiddled and thumbed them with the tenacity of a toddler who had pried open the pill bottle.
        They were more than pills, she contemplated, they were dessert and dinner, and the only meal available on this ship. The drugs rested in her palm; her heart bounded backwards. Three days in meals…
        Ta dum.
        Ta dum.
        Ta dum.
        Splitting her lips, her voice emerged, ushering in an evident disquiet at her disorientation.
        "Uh… muh, mu…" Mustering, she tested to see if the syllables were pilferable from her tip-heavy tongue. Stuffing the dose back into the denim pocket, she bowed to drag the shorts on, and yawned to pull the worn yarn shirt over her.
        Like a branding burn, a scathing on her sinistral shoulder prodded her to soothe the singe with a dexterous hand, meeting the throb and texture of a gravelly scab. Slowly, her fingers fell down the length of her arm; while her peering straight ahead aggrandized the blemishes and blisters her fingertips tumbled over.
        Scrawled on her forearm to forewarn her of her hindrance of taking the tablets, she read in her indelible, dashed ink: why resist—
        Leering at the tattooed cacography a thought occurred that eased her into defiance— why desist when the fear is irrational? Gazing around the undisturbed room, disturbed, she felt her heartbeat resonate with her stuttering breath, and it gave her confidence to begin her day aboard Sojourner-81.
This is a short story I'm writing that has come together from a culmination of different inspirations: Franz Kafka's two short stories "The Metamorphosis" and "The Hunger Artist," as well as the movie "2001: A Space Odyssey." But what really made me realize I had everything in place for a short story was watching the movie: "Moon." If you haven't seen it, I seriously recommend it, the soundtrack is, in my opinion, one of the best I've ever heard and the acting is top-notch. The story was entirely driven by rooting for the character, and it was just an amazing experience.

And secondly, this story is an experiment in character creation and is a vehicle for me to become comfortable with characters, as most of the time the people in my work are practically emotionless and unnamed. So keep in mind even though her name is not mentioned, she does have a name, and it is a beautiful name.

One of the prevalent themes throughout the story is isolation and as she goes about her duties aboard Sojourner-81 each day, she is becoming more and more aware of how isolated she is.

Basic Plot Summary

Our protagonist has been told that she is to maintain a ship transporting people between planets (who are in hibernation) for 2-3 years, but she has never seen anyone else on the ship besides the Pharmacist. Where's the pilot? Why does she have to eat pills? And where is the ship really going?

"....the implications are staggering."

--------------------------------------------------------------------------------

If you are not familiar with my work, prepare for a ride, and if you are familiar with my writing, get ready, I'm going all out on this short story, and I don't stop for stragglers (though there are plenty of context clues and a Words to Know list below).

Words to Know:

Palpate - to examine, or otherwise explore an area of the human body by feeling it.
Manifest - make apparent.
Arrhythmia - an abnormal rate of muscle contractions in the heart.
Systolic - Of or related to the contraction of the chambers of the heart to drive blood into the aorta and pulmonary artery.
Analogous - similar or equivalent in some respects though otherwise dissimilar (aka an analogy).
Tenacity - persistent determination.
Disquiet - a feeling of mild anxiety about possible developments.
Pilfer - make off with belongings of others.
Sinistral - referring to the left side of the body.
Dexterous - referring to the right side of the body.
Aggrandize - make things seem bigger than they are.
Hindrance - the act of hindering or obstructing or impeding.
Indelible - permanent.
cacography - bad handwriting.
Desist - abstain: choose not to consume.
Irrational - not consistent with or using reason.

Written by Nic Swaner, to claim otherwise is plagiarism.
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Tintinnabuli's avatar
:star::star::star::star-half::star-empty: Overall
:star::star::star::star::star-empty: Vision
:star::star::star::star::star-empty: Originality
:star::star::star-half::star-empty::star-empty: Technique
:star::star::star::star-half::star-empty: Impact

The influences of "Metamorphose Teaser" are clearly present, particularly its focus on the surreal experience of the body also present in "Moon" and "The Metamorphosis." The language of this piece is very unsettling in that excerpts such as "She could discern the rhythm, flooding into ventricles from pulmonary arteries and escaping through adjacent atria" give the impression that this is how she perceives herself. Her namelessness also carries a similar weight. If she is in fact as alone on this ship as it seems, its no wonder things seem so inward, and the setting likewise is very minimal. Her namelessness carries more attention to anatomy than it does to personal identification.

As much as this may ring of its influences, I wouldn't say it's gearing up for an imitation, or at least it has so much going on with just how it's written to avoid the predictable, and that's what I feel I'm most impressed by so far. I'm really hoping it carries through.

However, the trickiest thing about the language here is that at times it feels too heavy. Although its an interesting and strangely alienating experience to read sinistral and dexterous as left and right (and I do like that), at times it feels like its overly loaded with detail. "Arthritically and spastically" account for a somewhat similar jolting movement (though one is more painful), and "branding," "burn," and "singe" could be compacted into something more concise. Other times the language feels out of place. "Aggrandized" carries a connotation of wealth and power that doesn't seem to fit the description of pain, and "ushering in an evident disquiet at her disorientation" seems to be more aimed toward a goal of alliteration than communication.

I'm not somebody who tends to need a ton of setting, yet I feel, to some degree, more is required to locate the character. Her clothes are on the floor, as are her pills. Is she down on the floor scrambling like a tenacious toddler? What does the floor feel like? Relating it back to the body can give the setting a stronger purpose than just restricting the movements of the character. It can give the setting the same tactile experience that's been given so far for the character.

Overall, this piece is a really cool and intense start for a story, and I can't wait to see more of it as time goes on.